“Separations,” LIBER: A Feminist Review, forthcoming
“Nightmare,” Poetry Society of America “In Their Own Words” series, May 2023
“Glosa on Rebirth,” The Oxonian, January 2023
“April Fool’s Baby,” Bellevue Literary Review, October 2022
“Henhouse,” “The Last Porch Sit,” “Shame,” Steaming, December 2021
“Patti Smith’s Horses,” Afternoon Visitor, June 2021
Cento of Matthew Rohrer’s The Sky Contains the Plans, Elecment, April 2021
“Chorus to a Girl: Found Poem,” Grabbed: Poets & Writers on Sexual Assault, Empowerment & Healing, Beacon Press, October 2020
“I Hope I Didn’t Write a South Where No One,” No, Dear‘s FEED issue, September 2020
“Highsmith, 1942,” The Moth Magazine, March 2020
“Bird When Carved,” Lambda Literary Poetry Spotlight, August 2019
“Circling for Prayer,” “Another New York,” “In Fort Lee,” Muse/A, April 2019
“And I’ve Still Never Been to the Frick,” Slice Magazine, September 2018
“What Kind of Trance is This,” Juked, June 2018
“I try to make,” “I fall in Adam. There’s something,” and “I have eaten the sterling silver” from the Farm Centos series, Berkeley Poetry Review, May 2018
“Falling out of the tether,” “He handled antlers,” and “Summer-sore horses” from the Farm Centos series, Jet Fuel Review, April 2018
“Evening, the tissue door to ossify against night,” “Pears become softer & softer,” “We are learning about patterns,” “Goodness needs the evidence of all our lives,” and “What is a woman” from the Farm Centos series. FIVE:2:ONE #thesideshow, February 2018
“And the Fullness Thereof,” Mount Holyoke College Alumnae Quarterly, Winter 2018 (originally posted to the Amy Award page on Poets & Writers, August 2017)
“Turning Out (The First Year),” Baltimore Review, October 2017
“Half Sonnet (The Neighbor’s Son),” Palimpsest, October 2017
“Muybridge’s Horse in Motion,” Narrative Magazine, May 2017
“Rhubarb Fool,” “Chimes at Midnight,” and “Puppet,” Paperbag, Issue 9, December 2016
“Emily in San Francisco,” Duende, October 2016
“The Warning,” Day One, June 2016
“If the modern novel is two men rafting down a river, then poetry is the radio wet in their arms,” Heather, May 2016
“Danny” and “Self Portrait with Fried Eggs,” Circe’s Lament: Anthology of Wild Women, Accents Publishing, January 2016
“The War Ends Softly” and “Soliloquy of Lo,” Washington Square Review, September 2015
“Shipworm,” Transom, August 2015
“Fall Harvest,” Alimentum: The Literature of Food, October 2014
“Almost Human,” The Suburban Review, September 2014
“Slipping Under,” “Fall Harvest,” “The Mason’s Daughter,” The Feminist Wire, August 2014
“Your Bonfire,” Split Quarterly, October 2012
“What’s the Word?” The Bakery, August 2012
“Lawnboy,” “Eighteenth Summer,” and “Louisa,” Ishaan Literary Review, July 2012
“Ghost,” Still: The Journal, February 2012
“Transfusions End,” JDB Records, April 2011
Holly Mitchell 